BLACK AMERICA: OUR HISTORY LIES BEFORE US

BENEATH THE SPIN • ERIC L. WATTREE BLACK AMERICA: OUR HISTORY LIES BEFORE US I just read a snippet in Essence Magazine indicating that researchers have uncovered new information suggesting that Cleopatra may not have been Black. The article brought bact to mind a piece I read by Dr. Earl Ofari Hutchinson many years ago entitled, Whose Black History To Believe? In that very insightful article Dr. Hutchinson points out that black history tends to be given either short shrift by traditional historians, or is exaggerated beyond all recognition by historians of a more Afrocentric persuasion. His premise is that both approaches do a disservice to Africa American history. His analysis shows that African Americans would be better served by a more balanced interweaving of African American history into the fabric of American history as a whole. While I'm in total agreement with both his premise and analysis, I think it's important to take this issue one step farther. We need to explore why so many of us feel the need to exaggerate our history in the first place. We also need to understand how this game we find ourselves involved in distracts us from the bigger picture. The importance of cultural history is that it contributes to the collective self-esteem of a people. It brings cohesion by giving the members of a given group something in common to rally around as their own. A culture, much like an individual, is so much in need of a feeling of self-esteem that it invariably manufactures its own history, which often bears little or no resemblance to reality. For those very reasons, therefore, much of history is a lie. In fact, history itself has been defined as "A lie agreed upon." A concrete example of that process at work can be seen by looking back at the Viet Nam War. Having never lost a war at that time, upon entering the Viet Nam War the United States had already geared up for manufacturing a history to justify its presence in Viet Nam, much like we're struggling with today in Iraq. The U.S. Finally came up with what was called "The Domino Theory". According to this theory, the North Vietnamese were merely fronting for Communist China, and if the United States allowed South Viet Nam to fall to the North Vietnamese, people in that part of the world would be slaughtered, and all the rest of the countries in the area would fall like "dominoes" to Chinese communism. If the United States had won the Viet Nam war that lie would have become an official part of world history. Young children all over the world would have read it as gospel for eons. But since the United States didn't win, this would-be "historical fact" has been left without a home, and now, twenty-five years later, the lie stands as a glaring example of how nations manufacture lies to justify their conduct. The United States is not unique in fabricating history, however. All nations and all cultures do it. If Germany had won WWII the history of that war would have been written from an entirely different perspective; if Great Britain had won The Revolutionary War, the esteemed forefathers of the United States would have been remembered as a group similar to the way the United States currently view The Black Panther Party, or Cinque and the Symbionese Liberation Army. An example of this principle at work on a cultural level can be found in the white culture's touting of Benny Goodman as "The King of Swing", or Elvis Presley as "The King of Rock n Roll." We know that's not true today, but as time passes, and there's no one left to attest to the inaccuracy of such claims, eventually it'll become a "historical fact"-- or factoid (something repeated so often that it is seen as a fact). So it is clear that the history game is just that--a game. But it's a game that black Americans should only play quite sparingly, if at all, since due to the unique position of the African American in legitimate modern history, we come to this game with a decided disadvantage. The African American culture is a relatively new culture, thus, our history is verifiable. Therefore, African Americans don't have the machinery in place to effectively promote the hype necessary to fully participate in the history game. But since, in any event, the game only serves to divert our attention from what is really important--getting on with the business of building true viability as a people--black participation in the game is nothing more than an exercise in me-too-ism. But it seems that whenever I hear a discussion on Black pride, someone always brings up the issue of Egypt, and whether or not Cleopatra was Black. Black people have got to understand that the issue is not important–in fact, it's academic. While it is always good to stay in touch with one's roots, the fact is, African Americans have long since ceased being African, and any connection that we may, or may not have had with Egypt and/or Cleopatra is remote at best--at least, in a strictly cultural sense. It's as though we're going around, hat in hand, desperately searching for a piece of history to call our own. We shouldn't place ourselves in that position–it's undignified, pathetic, and wholly unnecessary. We must begin to understand that we are a new culture. We ceased being Africans when it became necessary to adapt to the fields and ghettos of America; neither are we simply Americans--we became something more than simply Americans when it became necessary to become more than simple Americans for our very survival. We are a brand new culture-- a culture conceived in pain, delivered into turmoil, baptized in deprivation, and weaned on injustice. And since adversity is experience, and experience translates into knowledge, we don't have a thing to be ashamed of. The uniquely pointed adversity that we have experienced makes us more, rather than less. Thus, we are a culture that is only now in the infancy of its development. For that reason, we cannot hope to compete, lie-for-lie, with ancient cultures relative to history, since our history is only now being written. But for that very same reason, we don't have to. The fact that we are a new culture doesn't mean that we are anything less than the older cultures, it simply means that our greatest contribution to man lies before us. We don't have to look back to antiquity to find a source of pride, all we have to do is study the life and times of our parents, our grandparents, and that generation of black people born between the turn of the century and WWII. In less than 50 years, the Black people of that generation went from housekeepers and flunkies to the boardrooms of multinational corporations. In less than 50 years, they went from playing washboards and tin cans on the side of the road, to becoming some of the greatest musicians the world has ever known. In less than 50 years these people have gone from the defenseless and nameless victims of public lynchings, to laying a foundation, along with their White supporters (who must not be forgotten), that led directly to Barack Obama becoming the leader of the most powerful nation on Earth--and that is a chapter in history that is verifiable. The most cursory glance demonstrates that there is something unusually unique about this new culture. While social scientists have postulated that all minority cultures must assimilate, dilute, and subordinate themselves to the dominant cultural soup, there is clear evidence that the African American culture has had a much greater impact on the dominant culture than is the reverse. Members of the dominant cultural group under fifty years of age have more in common with the African-American culture in terms of attitudes, style, and personal taste, than they have with their own grandparents. Black music--Jazz, Blues, Rap, and, yes, Rock n Roll--is the predominate music, not only in the United States, but in the entire world. Every time a Rock group goes on stage, they sing a tribute to nameless slaves moanin' in the fields--and just to turn on a radio or television set anywhere in the Western world, is to pay a tribute to Duke, Bird, Miles, and Diz. In addition, the United States of America has honored only four men in history by declaring the day of their birth a national day of celebration--Jesus Christ of Nazareth, widely accepted by many as the father of all mankind; President George Washington, the father of this nation; Christopher Columbus, the man credited with discovering the Americas (along with the native Americans who were already a part thereof); and Dr. Martin Luther King, Jr., a man whose forebears were brought to these shores in chains. That says a lot about that humble, black man—and it says just as much about his people. In spite of the fact that Dr. King began his life burdened by the inherent disadvantages of being blessed with black skin in a Jim Crow environment, his words, his intellect, and his deeds so inspired the heart and soul of humanity that America saw fit to set aside a day for this nation--this world--to thank God that he was allowed to walk among us. His was a soul with such strength that it served to lift the rest of mankind to a higher level of humanity. That's not only a testament to one black man's ability to pull himself from the dust of his humble beginnings, it's also a testament to the capacity of his people to meet the test of greatness--and that's a history that is verifiable. So, we must take pride in our own personal journeys, and realize that in our own journey through life history is also being made. You don't have to be a world conqueror to have an impact on the history of mankind, you simply have to make decisions in your personal life that helps to enhance and move your people forward towards their appointment with destiny. And every time you face life's obstacles with courage and perseverance you meet that challenge. After all, you don't make decisions in a vacuum-- every decision that you make in life becomes a public decision. People are watching, your children are watching, and your children will make the character of your decisions an indelible part of the public record. Thus, the character that you reflect in your daily conduct carries the seed that your children will carry with them for generations. For that reason, I don't regret one moment of my youth that I spent stumblin' through Watts on whatever drug happened to be convenient. Those years were part of a personal journey that stands as a monument to who I am today. Of course, I related those struggles to my children as stumbling blocks to be avoided at all costs, but they were also related as examples of perseverance, and the determination to overcome the obstacles in my life, and by overcoming those setbacks, it allowed me to relate those experiences with just as much pride as the majority culture relates the experiences of General Patton to their children. George fought his battles, and I fought mine, and as far as my children are concerned--as far as I'm concern--one was no less heroic than the other. Thus: Neither scholar nor the head of state, The most common of men seems to be my fate; A life blistered with struggle and constant need, As my legacy to man I bequeath my seed. * More fertile, more sturdy these ones than I, This withered old vine left fallow and dry; The nectar of their roots lie dormant still, But through their fruit I'll be revealed.   And that, is verifiable. Eric L. Wattree wattree.blogspot.com          Eric L. Wattree wattree.blogspot.com A moderate is one who embraces truth over ideology.